New York Times

New York Times looks back on the Best Performances of the Decade. You can catch George at the end praising Marion Cotillard in her performance of La vie en rose.  (Start Time 6:20)

And here they feature George and in their 7th Annual Great Performers Choices.

Interview for “Hope for Haiti”

From the Associated Press we have George giving a preview of the ‘’ benefit telethon he’s helping to organize to help victims of the earthquake in Haiti. (Jan. 21) Thanks to Nelly for sending this in!

Anna, George and RPattz!

111 stopped by the Show and she opened up to Ellen about what it was like working simultaneously with George and , saying, “George gave me such a hard time about shooting Twilight. Whenever I came back, it was like, ‘Oh sorry, this isn’t the Twilight set. You’re not working with Mr. Handsome.’ He called Rob ‘Mr. Handsome.’” Anna even evidently upped the rivalry between her two leading men by bringing George a signed copy of Rob’s GQ. autographed his April GQ cover for George, writing, “To George: Best of Luck. Hang in there. Love, Rob.”   To which Clooney returned the favor by signing his May 2009 Esquire cover to Rob with: “Dear Rob: Thanks for all the inspiration. I’m a huge fan. Love, George (two-time Sexiest Man Alive)”

Video: “Up in the Air” Premiere

ReelzChannel caught up with George Clooney on the Red Carpet of the recent premiere and gets his thoughts on real life texting. Thanks to Kristin from Reelz Channel for sending us this link.

Japanese Interview

Here’s a Japanese Interview done during the 2007 Ocean’s Thirteen Promo Tour.

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The Daily Buzz

Andrea Clooney drills George Clooney on all the important issues…like Coke or Pepsi?

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Ask Jimmy Carter Interview: One Fine Day

Ask Jimmy Carter George during the Promo Tour.

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The Fabulous Picture Show 2 Parts

Here’s a special edition of The Fabulous Picture show that includes an exclusive interview with George Clooney.

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Reel Journalism Part 1

George Clooney explains why he decided to make the film.

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Reel Journalism Part 2

George Clooney explains why he decided to shoot the film in black and white

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