2007: What’s in, what’s out

January 8, 2007 by admin  
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In: Classic bow-tie tuxedo
Out: Suit-tie tuxedo

Dressing up for formal events is in again. Style setters such as Daniel Craig and George Clooney continue to raise the bar for men’s fashion by ditching the relaxed black-business-suit-as-evening-wear look for the timeless appeal of a classic black bow-tie tuxedo. (Look for its appearance on the red carpet at the Academy Awards on Feb. 25.) Return to tradition never looked so good. (Canada.com)

Kidding around with George

January 6, 2007 by admin  
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ONLY IN HOLLYWOOD
Kidding around with George Clooney, part 2

By Ruben V. Nepales
Inquirer

LOS ANGELES—HOW DO WE PROVE HOW charming George Clooney is in person?

When we ran into George at the premiere party of “Syriana” in New York the other year, he kissed my wife Janet on the right cheek. Since then, Janet has not washed her right cheek. And when we met George again a week later in LA after that New York encounter, he somehow remembered Janet. That did it. As we left the party, Janet told me that, from then on, I could only kiss her on the left cheek.

Advice for every man: If you and your wife or girlfriend ever cross paths with George, grab her and make a quick about face. George Clooney has not been voted twice by People Magazine as the Sexiest Man Alive for nothing.

Outside of movies, what do you really want to do?
I just want to dance (laughter). I want to be a professional dancer, teach jazz.

Join “Dancing With The Stars”?
Oh, dancing with the former stars. I’ve got things I’m working on. The Darfur issue is a big one we really have to keep pushing. Those are the things that are much more satisfying in a lot of ways. So I’ll probably keep pushing those things until something gets fixed.

How about doing a musical film?
They looped my entire singing voice in “O Brother…” (laughter). I don’t think there’s a musical in my future. I messed around with them in theater when I was young. I only lacked skills—other than that, I was really good at it (laughter).

How much do you enjoy writing scripts?
Ever since I was on sitcoms, I was involved as a writer. Lately, writing has become a big passion. The screenplay of the movie I’m doing with Renee was written over 10 years ago. But it needed a drastic rewrite. We tried it a few times and it never came together. So I spent the summer writing in Italy.
I don’t have a computer. I just write things on pieces of paper. I spent all summer trying to figure out how the movie would work. I woke up one morning and it was fairly easy to write.

Are you satisfied with where you are now in your acting career?
I have gotten to a place in my life and career where all those elements that were used to sell me when I was younger are no longer applied. I’m actually happy with the idea that now I’m able to do things that aren’t based on someone’s idea of how I look.

I’m enjoying the sort—of moving into character actor part. There are many more things I will be able to do. I’ve been able to sidestep the idea of what was expected of me earlier. That was hard to do because everybody pushes me in this direction and says, go do romantic comedies. If I do that, I know it will end with me turning 45 and everybody saying, ‘He doesn’t look so young anymore, he’s got a lot of gray hair and maybe we’ll go get somebody else.’ It’s a much better road where you can do it the other way. I’ll fall apart—grow a beard.

Do you still have secrets that you can reveal to us for the first time?
Next question (laughter). I’ve been famous long enough now that I don’t think there are really many secrets. I am out of secrets now except that I’m wearing a toupee and I’m 5’3” (laughter). My teeth are false and I have one glass eye.

You have spoken against some of the policies of President Bush. Do you sometimes worry about your personal safety?
I have a guy that starts my car and eats my food first (laughter). Back in 2003, when it was really bad, people were out in front of the theaters and put things all over the Internet. Am I getting in trouble? That’s my own paranoia and narcissism working (laughter). What I realize is that those conspiracies take a lot more work and they focus on somebody who’s more politically relevant than I am. I don’t worry about any of stuff.

How were you like as a teenager?
People would argue that I am still like I was as a teenager (laughter). I had a great time growing up in a tiny town in Kentucky with 1,500 people because I could play any sport in high school since they didn’t have enough players. We were terrible teams. We lost every game.

At 14, on first year of high school, I had Bell’s Palsy where half of my face was paralyzed. I fell into that part of high school where I was the kid who made the jokes and it stuck with me. My growing up years were about finding ways to keep things light or have fun with them.

My family is really funny. I grew up in a household of people telling jokes. My mom made all our clothes. My mom made me—I just saw a picture of it, that’s why I bring it up—a leisure suit of Naugahyde, out of fake leather (laughter) with fringe on it. The fake leather rolled off eventually. I had these blousy shirts. I had giant bell-bottom pants and big-heeled shoes. I was 13 years old. I saw that picture and I thought, I can’t believe I have a career (laughter).

We know so much about your father but nothing about your mother.
My father is a public figure—he is a newsman. My mother is a private figure. She’s pretty shy although she writes some things for the newspaper every week. I try not to bring her into the fray whenever I can help it.

Were you raised a Catholic?
Yes. I was an altar boy. I could do Latin Mass. Once a week, I had to go to confession. When I was in second grade, I really didn’t have a whole lot to confess every week. But I had to show up. At one point I realized the priest knew who I was because there were only 10 kids. I decided I would only confess the things I thought were okay for him to hear (laughter). I read about this saint who put a pebble in her shoe and walked around for penance. So I would just confess what I wanted to confess and then I would fill my shoes with gravel. And I’d jump off the top of my bunk bed when I got home and I was completely cleansed of all sin.

Cate’s character in this movie evokes Marlene Dietrich. Do you like Dietrich?
Yes. She was a very close friend of my Aunt Rosemary’s. They were really good friends.

Cate did a movie with your friend Brad Pitt. You also made one with her and now she went home to Australia to become artistic co-director of the Sydney Theatre Company. What did you guys do to her?
I don’t care for that woman—I’ll tell you that right off the bat. She’s got no talent, first of all (laughter). I am really excited about it. I think she’s going to direct a play as well. She and her husband are very involved in the theater. We corrupted her. We made her sick of films just enough (laughter).

Cate is one of those actors—like Meryl Streep—where she could just be having a conversation with me and then Steven (Soderbergh) would go, “Okay, ready and action.” And she’ll turn it on immediately. She doesn’t wear me out on the set, like, “I’m Ingrid Bergman, don’t talk to me for the next week.”

Are you comfortable around strong women and who are the women that you admire?
First of all, I don’t like strong women (laughter). I’ve always felt really comfortable around them because I have grown up around them. My aunt (Rosemary Clooney) was a very strong individual who ran our family. My mother and sister are very strong, too. I’ve spent time with Senator (Hillary) Clinton and other women of power like Oprah (Winfrey). My aunt and I could have had an argument and I’d be mad at her. Then she’d get up stage and sing and I couldn’t remember what I was mad about.

When we were in Chad, just south of Darfur, there were people from the International Rescue Committee whom we were working with. They were 23-year-old girls in the middle of nothing. One of the girls was held hostage about a week we left. My dad and I were there for 10 days and it was all I could take. These girls are there for a year.To me, that was the greatest show of strength and power I’ve ever seen.

Your aunt (Rosemary) gave you an advice—not to get to 70 without…
Having done all the things you wanted to do.

So are you happy with what you have done so far?
If I got hit by a bus tomorrow, I had a pretty good run

George Clooney, the beautiful

December 21, 2006 by admin  
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George Clooney, the beautiful
By Karen Heller
Inquirer Staff Writer

Quite possibly, at no time in our history have more women been singularly devoted to one man.
That man, of course, is George Clooney.

Christmas arrives but once a year. So, too, at least in 2006, does Clooney.

His sole cinematic work is The Good German, arriving tomorrow, following his artistic triumph of three Oscar nominations for last year’s work (for writing, directing and acting) and a supporting-actor win for Syriana.

Helmed by his longtime artistic and business partner, Steven Soderbergh, The Good German is an atmospheric thriller set in 1945 Berlin during the Potsdam Conference. Shot in black and white with obvious Hollywood backdrops, it’s an homage to Casablanca and The Third Man.

Clooney plays the least productive reporter ever depicted on screen, not once touching a typewriter. The movie marks a milestone in movie physiognomy: the first time the actor - blessed with Cary Grant’s exquisite jaw - is paired with Cate Blanchett, possessor of Katharine Hepburn’s unearthly cheekbones.

Sadly, The Good German is not great, but Clooney, in most aspects of his career, remains so.

His is the face that launched a thousand sighs, and a voice as memorable and rich as single-malt Scotch. The eyebrows are good and the profile exceptional. The jaw, as previously mentioned, is perfection.

He doesn’t appear to look bad in anything.

Clooney, to a woman of a certain age and temperament, has the field of love object to himself. He is 45 and, from all appearances, improving with age.

Many fans swooned over Grant, Clark Gable, Gary Cooper and John Wayne, sometimes simultaneously, given their overlapping careers. The same held true of Steve McQueen, Marlon Brando and Paul Newman. There were multiple Beatles to go around, as well as Rolling Stones.

Brad Pitt may be prettier (to some) than his friend George and certainly in better shape (who isn’t?), but being prettier and buffer than everyone else is not what most women want.

Know what women want?

George Clooney.

Know what’s wrong with George Clooney?

Nothing, absolutely nothing.

So maybe some inferior hair-style decisions early in his career, a highlighted mullet, no less. Then again, who among us hasn’t exhibited poor style judgment in our youth?

Clooney is an old-fashioned movie star in that his largest, most enduring love affair is with the camera and, subsequently, the audience. He’s equally a star of still portraiture, selling multiple magazine covers. Some of us bought Men’s Vogue solely for that purpose. (Why else would we? To learn more about chaps?) Put George on the cover of Waste Age, and we’d buy that, too.

In public, Clooney displays a penchant for self-deprecating humor, as well as a sense of civic duty that’s rarely squandered or overplayed. He appeared before the United Nations Security Council last week, and this week was in the news campaigning for a peacekeeping unit and humanitarian relief in the besieged Darfur region of the Sudan.

“I think it is a responsibility as a human being to get involved, [especially] if you happen to be a celebrity and can get more attention brought to it,” the actor told ABC News. “I’d be so ashamed if at the end of my life, if I didn’t participate in solving some of the problems of the human condition.”

Oddly, despite his myriad romantic roles, playing opposite Julia Roberts, Michele Pfeiffer, Nicole Kidman, Catherine Zeta-Jones and now Blanchett, Clooney has sizzled precisely once with an actress on screen, in Soderbergh’s underappreciated Out of Sight.

He and Jennifer Lopez, in an uncharacteristically affecting turn, project the kind of heat and tension rarely achieved in contemporary movies, rivaling the pairing of McQueen and Faye Dunaway in The Thomas Crown Affair, or Grant with Ingrid Bergman in Notorious.

As a star, Clooney has mastered the art of appearing knowable yet enigmatic. He seems to have more fun than anyone with his large coterie of male pals while remaining quiet about his romantic life. He’s accessible, yet aloof. He’s not prone to confession. There’s the tension of mystery.

After a brief, early marriage to actress Talia Balsam, Clooney vowed to never marry again, a vow he has upheld for 13 years. The attraction of great stars is feeling that we know them without knowing them too much. There’s the allure that they’re available, that a woman might fit into that equation, even if such logic is absurd.

Part of Clooney’s appeal is combining good taste in projects (perhaps not Batman & Robin or Return of the Killer Tomatoes!) and directors with a desire to grow as an artist, taking on writing and directing projects as well as working with interesting directors. He may have had a miserable time with David O. Russell on Three Kings, as reported, but it remains a dazzling piece of work.

Finally, there’s the ability to appear absolutely natural and loose while exhibiting range and generosity as an actor. For all his innate beauty, he has no problem appearing less so on screen, as demonstrated by his turns in Syriana (where he packed on 30 pounds), O Brother, Where Art Thou? (sporting greasy hair and an absurd mustache), or Intolerable Cruelty (mugging cartoonishly and flashing gleaming chompers).

He’s that secure.

Which, of course, makes him all the more attractive.

As if such a thing were possible. (Philadelphia Inquirer)

George gives confession

George Clooney, actor, political activist, and, according to a recent issue of the American celebrity magazine People, the official “sexiest man alive”, is proudly demonstrating one of his lesser-known skills – that of serving the Latin Mass. “In nomine patris et filii et spiritus sancti …” he chants tunefully, sketching a cross in the air. “I could do the whole of it – sung, too. I was brought up with the whole bit, Catholic school, confession every week, everything. “Confession was funny because I grew up in this tiny, tiny, tiny town in Kentucky, 1, 500 people in the whole town and only about 10 kids who were Catholic. “Now, when you’re seven years old, you don’t really have a lot to confess, but you had to show up anyway, and I remember figuring out at one point that because there were so few of us, the priest would know who we all were. So I decided that I would only confess the things that I thought were OK for him to hear.” He stops and shakes his head, laughing. There are a handful of us hanging out with George in the fancy Beverly Hills hotel and it is not difficult to spot which of us were brought up Catholic. The clue is that all the Catholics are laughing with him, and all the others are looking faintly puzzled. Not that George notices. He is on a roll. “But what to do about the other sins, right? I’d read somewhere about a saint who would put a pebble in her shoe and walk around on it for penance. So what I’d do is, I’d go to confession and just confess what I wanted to confess. And then when I got home, I’d fill both of my shoes with gravel, and I’d jump right off the top of my bunk bed straight on to them. That way, I was completely cleansed of all the sins, and I’d still avoided telling stuff to the priest!” By now, the non-Catholics are exchanging glances and edging surreptitiously towards the door. But George has not yet started on his schooldays. “Did you ever get paddled?” he demands, cheerfully. (The Catholic Herald)

George expresses concern

December 20, 2006 by admin  
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Paranoid George Clooney Thought Fans Turned On Him
George Clooney felt paranoid he was the target of a hate campaign when he spoke out against the U.S.-led invasion of Iraq in 2003. Staunch Democrat Clooney was dismayed when supporters of President George W. Bush picketed cinemas showing his films and branded him a traitor. But fears his career could be ruined by the controversy proved unfounded. He says, “There was a time back in 2003 when some feeling against me was really bad - people were out in front of theatres protesting about my films. They put stuff over the internet calling me a traitor, there was that moment where paranoia creeps in and you start to think, ‘Am I getting myself into trouble here?’ “But that’s your own paranoia and your own narcissism, and if you think about it for a bit, you realize that conspiracies against one person take a lot of work.” (Starpulse)

Lili Day: Isn’t he lovely

December 19, 2006 by admin  
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Here’s a lovely little blog that’s just started out maintained by [info]bookbabie (author, artist, photographer and website designer!). Be sure to check out both her blog and website which has a great Clooney Essay you can’t miss. Side Note: Lilli, what was Bobby’s wish?

A choosier Clooney forges his career strategy

December 14, 2006 by admin  
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A choosier Clooney forges his career strategy
By Susan Wloszczyna, USA TODAY

NEW YORK — With his hard-won acting Oscar for last year’s Syriana in hand, onetime ER doc George Clooney is choosing projects with surgical precision while allowing room for artistic risks.
That includes the retro Cold War thriller The Good German, a black-and-white takeoff on oldies such as Casablanca directed by Steven Soderbergh and opening Friday.

Since 1997’s superhero stinker Batman & Robin, he says, “I’ve been trying to do projects that were a lot better. I worked on trying to get the focus away from one perception people have of you, so you can sort of have the other. I think I’ve succeeded.”

Clooney’s strategy for staying power:

•Keep ‘em guessing. “After Syriana and Good Night, and Good Luck, I’m not exaggerating when I tell you 30 political films were sent to me to direct,” says the multi-hyphenate whose movies last year earned eight Academy Award nominations. “It occurred to me, that’s not who I wanted to be.”  Instead, he wants to be Preston Sturges, maker of such snappily paced ’40s comedies as The Palm Beach Story. Clooney will direct Leatherheads, a gridiron romance set in the 1920s that he calls “The Philadelphia Story with football.”  His co-stars include Renee Zellweger and John Krasinski of The Office. As Clooney puts it: “This is real Preston Sturges-Howard Hawks territory. It is 135 pages that will play like 90. It’s rapid fire.”

•Know how to handle the media. When People magazine keeps harping on your sex appeal, even after all the trouble you took to look like a hairy rumpled lump in Syriana, suck it up and cooperate.  “They call you up and tell you what they are going to do,” says Clooney, 45, of his second win as Sexiest Man Alive. “You always go, ‘Please don’t.’ But either they talk to you, or they talk to a bunch of people who don’t know you.”

•Work with the best. Clooney and Soderbergh, who has directed the actor in six films, are dissolving their Section Eight production company after almost seven years but will continue to collaborate. “He was my first big break with Out of Sight,” says Clooney, who has a new company, Smoke House, with Grant Heslov, his writing partner on Good Night. “Steven has been the biggest influence on me as an actor, a filmmaker and a writer. I study him.”  Following his buffoonish shenanigans in O Brother, Where Art Thou? and Intolerable Cruelty, he’ll reteam again with those crazy Coen brothers on Burn After Reading. “I play a guy who goes around killing people,” says Clooney, who dubs his Coen oeuvre “my trilogy of idiots.”

•Choose political causes wisely. After being stamped “traitor” on a magazine cover for his early criticism of the Iraq war, Clooney is concentrating on a less controversial issue these days: the genocide in Darfur. “My job is just to keep people aware of it. I’m not a policymaker.”  If Clooney has a weak spot, it is his competitive nature, especially when he tries to out-sexy another two-time People winner and his co-star in the upcoming Ocean’s Thirteen (due June 8), Brad Pitt.  “They are deadly rivals,” says Cate Blanchett, Clooney’s ex-love in The Good German and Pitt’s wife in Babel. “I was warned about him by Brad. Brad did many George Clooney imitations. I think George did many Brad imitations. There is a lot going on there. They are secret paramours.”

George Mention: Ny Post

December 12, 2006 by admin  
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G. Clooney on getting something for his mom: “The scary thing is she’s Miss Construction Woman. Mom built a bar in our house. She actually wanted a table saw a few years ago. Shopping for her, I go into Sears. It has the greatest stuff for my mother.” (NY Post)

Clooney: It’s not as glamorous as it first seems

December 11, 2006 by admin  
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CLOONEY BEMOANS PRICE OF FAME

Screen heart-throb GEORGE CLOONEY warns aspiring movie stars to think carefully before eyeing a Hollywood career, because the industry isn’t as glamorous as it first seems. The SYRIANA star recalls he was desperate to make it big in movies and his ambition knew no bounds. But he admits success has changed his perspective on movie stardom, making him far more aware of the price he pays for fame. Clooney tells the New York Daily News, “I think when you’re young and getting started, fame is like a bug light - you’re driven toward success so intensely as an actor because you’re pointed that way. And when you get it, you realise most of the things that you thought would be great are not. “And that’s not whining, or saying ‘Woe is me.’ The greatest thing about being in the position I’m in is, I can walk into a movie studio and say, ‘I want to make a black-and-white film noir,’ and they’ll make it because they don’t want me to go someplace else. And that’s great. “(But) there are other parts that aren’t so fun.” 11/12/2006 17:35  (Contact Music)

The leading man

December 10, 2006 by admin  
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The leading man
George Clooney’s resemblance to stars of the ’40s is striking in his latest film
JAY STONE
Sunday, December 10, 2006

It looks like it would be a lot of fun to be George Clooney, making retro love stories like The Good German (”for me, it was just a project I thought would be a fun one to do”) and a stylish caper film such as Oceans Thirteen with Brad Pitt and Matt Damon (”those guys, I love them”), not to mention Al Pacino (”man oh man, Al Pacino - what a blast”). You’d be working with buddy Stephen Soderbergh (”we never had a time when it wasn’t fun or easy”). You’d have an Oscar on your shelf (”it was good fun”). You’d be looking forward to your next movie, Leatherheads, a football story with Renee Zellweger (”that’s going to be fun”).

You’d also have been just anointed by People Magazine as the official Sexiest Man Alive, which also sounds as if it could lead to some fun.

The only thing that wouldn’t be much fun would be your bad back. Clooney injured it doing the torture scene during his Oscar-winning turn in Syriana, one of several serious movies (such as Good Night, and Good Luck) with which Clooney anchors the light stuff (the Oceans series) in his filmography. And it’s why Clooney is wearing, with his bluejeans and sports jacket, an oversized green T-shirt that reads Johnson Motors. He borrowed it to cover a back brace he wears most of the time.

But not to worry. “It’s okay,” says Clooney. “I still wear a brace, but it’s okay. I’m feeling better.”

He’s also looking great: dark tan, white teeth, surprisingly salt-and-pepper hair that makes him look like the world’s best-preserved 45-year-old, which he is. In The Good German he plays a Second World War correspondent named Jake who goes to Berlin in 1945 and meets his former love (Cate Blanchett), a German woman changed by the war. It’s made in black and white using throwback styles - vintage lenses, archival footage - that remind people of such classics as Casablanca or The Third Man.

It also exaggerates Clooney’s resemblance to the stars of the era. During his Coen Brothers musical, O Brother, Where Art Thou?, people said he looked like Clark Gable. “That’s because I was doing a bad Clark Gable impression in that one,” he says now. “It happens if you’re doing period pieces.” He doesn’t even pause before the next line, a piece of self-deprecation that The Sexiest Man must work in if he’s to retain any balance at all. “I think Clark Gable just literally, just now, turned over in his grave.”

Then he smiles that big white smile of the self-deprecating Hollywood hunk: He’s both a celebrity and a commentary on celebrity, a complexity that is part of his extraordinary appeal.

Soderbergh, the friend and business partner, says: “I knew he was a movie star from the first time I saw him on ER.”

The Good German is one of their less commercially minded pieces; Clooney says that they don’t do them to be huge box-office hits. Along with the requisite potential for fun, “We want to aim a little higher than the low bar.”

He has nothing but good things to say about Blanchett, his co-star.

“She doesn’t speak German all day long and wear you down. She’s like Spencer Tracy was. You have a normal conversation, you have a really fun afternoon and Stephen will go, ‘Action,’ and she goes, ‘I vant to be alone.’ This thing comes out of her. You go, ‘Whoa.’ It kind of keeps you on your toes.”

Blanchett, returning the compliment, says Clooney (and Brad Pitt, her Babel co-star) are “incredibly humble and have a great perspective on who they are and how they are perceived.” Clooney, she notes, “uses his powers for good rather than evil.”

She’s talking about his political cause, the human rights catastrophe in Darfur.

He has visited refugee camps there, appeared on television to talk about it, and spoken at the United Nations to rally help. “I still have a lot of work to do with Darfur,” he says, including meetings with heads of state.

“It’s a long haul and a lot of people are going to get hurt before we get it done.”

Meanwhile, though, there are the promotional interviews for The Good German, and then for Oceans Thirteen. Someone asks if the Oceans series - which started with Oceans Eleven - is going to take on the scope of Rocky and run through Oceans Twenty.

“I think we’ll stop after this one because we have a good reason for making this one, but there’s no telling. Ten to 15 years down the road, if we need to do one, we might be back,” he says. Oceans Twelve “didn’t quite catch it; it was two-thirds of a good film that fell short in places. So we came up with a good idea, which is revenge, which is always good.”

It also was a chance to reunite with his buddies Brad and Matt (”They’re sweet and funny. They’re all having great years, Brad in Babel and Matt with The Departed”) and catch up with Pacino.

“There’s a guy who just truly loves acting. Most actors get to a certain age and they just want to collect a paycheque or they don’t give a damn. He just loves it. He’s into it. He’s exciting to be on a set with.”

And what about Toby Maguire, who has a supporting role in The Good German as an army driver who gets into a fight with Clooney’s character and wins?

“I get beaten up by Toby Maguire,” Clooney says with one of those smiles.

“Spider-Man kicks an old Batman’s ass.”

He makes it sound like fun.

© The Gazette (Montreal) 2006

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